bio
Kate Carasiella is a storyteller, bard, and trickster. Her writing has been curated in Poetry Trapper Keeper, Boudin, Rat’s Ass Review, Hunter’s Affects, manywor(l)ds, Reverie Magazine, Squawk Back (and here), Catch, Cellar Door, and elsewhere.
Her poetry has been nominated for Best of the Net and the Pushcart Prize. She was a finalist in the Driftwood Press Adrift Chapbook Contest (2022) and the Glimmer Train Fiction Open (2016).
Elsewhere, Kate has carved out a fine niche as a project manager, content strategist, freelance writer and editor covering the U.S. judiciary. An archive of her work can be found on Ballotpedia. Need to know about the courts? It’s her pleasure to be of service.
AI Policy: I do not use generative AI on anything I create or write.
Résumé:
credits & notices
2024
- Poetry Trapper Keeper | “Clearing”
- Boudin | “tricky honey”, “A man of winter”
- “tricky honey” nominated for the Pushcart Prize (2025)
- Rat’s Ass Review | “my pretty redwood”
- Hunter’s Affects | “The Enemies’ Disease”, “everything i do is beautiful”
2023
- manywor(l)ds | “remember how you had me”
- nominated for the Best of the Net (2025)
- Reverie Magazine | “Mercurial is a way you cannot stand”
– intermezzo –
2016
- Squawk Back | “The Fix: Professional Wrestling’s Current Moment”
- Squawk Back | “Statler & Waldorf Poetry Cycle”
- nominated for the Pushcart Prize (2017)
kate carsella 